Almaty Writing Residency is an international project organized by Olga Markova Open Literature School of Almaty (OLSA) and the renowned IWP International Writing Program. With the pilot Writers Residency in Kazakhstan taking place in 2021, it has become an annual event for Kazakhstani writers, poets, and authors from near and far.
ALmaty writING residency - iwp international writers program
Almaty Writing Residency is a collaborative international project of the OLSA and the renowned IWP Writers Residency.
The IWP was founded by Paul Engle and Hualing Nieh Engle as a non-academic, internationally focused counterpart to the Iowa Writers’ Workshop. Since 2014, the program offers online courses to many writers and poets across the world. Since its inception in 1967, the IWP has hosted over 1,500 emerging and established poets, novelists, dramatists, essayists, and journalists from more than 150 countries. Its primary goal is to introduce talented writers to the writing community at the University of Iowa, and to provide for the writers a period of optimal conditions for their creative work. Since 2000, the IWP has been directed by poet and journalist Christopher Merrill.
HOW IS THE WRITERS RESIDENCY ORGANIZED?
To make for an immersive creative environment, residents will live on the territory of one space. Participants will work together on writing projects, discuss literary and literature-related issues, partake in creative meetings and public events, and take tours of the city and the surrounding area. Any author can become a participant on the basis of competitive admission. Both established playwrights, prose writers and poets, as well as those taking their first steps, are invited to submit their proposals. Experienced authors will be given preference. The residency events will be held in three languages — English, Kazakh, and Russian, with our interpreters available at all times. Travel costs to Almaty and back, as well as accommodation will be covered for the writers admitted into the program. The basic requirement for the authors is active participation in the activities of the residency.
OUR PARTNERS:
The United States inaugurated the Consulate General in Almaty – the only American Consulate in Central Asia – in December 2009. The Consulate General hosts offices of the Department of State (including Consular, Public Affairs and Political/Economic Sections), the U.S. Agency for International Development (USAID), the Centers for Disease Control (CDC), the Drug Enforcement Administration (DEA), the Foreign Commercial Service (FCS) and the President’s Emergency Plan for AIDS Relief (PEPFAR). This consular district encompasses the four southern regions (oblasti) of Kazakhstan, although many Consulate agencies and sections have broader mandates in Kazakhstan and in Central Asia.
The U.S. Consulate General in Almaty works on a wide range of bilateral and regional issues, such as trade, commerce, economic development, democracy and governance, humanitarian assistance, health promotion and disease control, counter-narcotics and environmental protection. The Consulate General also provides services to American citizens and businesses in Kazakhstan.
Chevron Corporation, headquartered in San Ramon, California, is one of the world’s leading integrated energy companies, with subsidiaries operating worldwide. The company is involved in literally every area of energy development, including the exploration, production and transportation of crude oil and natural gas; the refining, marketing and distribution of transportation fuels and other energy products; the manufacture and sale of petrochemical products; the production of electricity and geothermal energy; the development of energy efficiency solutions; and the development of future energy resources, including biofuels. Chevron supports several socially-oriented and cultural projects in Kazakhstan, including the Almaty Writing Residency, launching in 2021.
Sonnet Mondal is an award-winning Indian poet, editor, and author of An Afternoon in My Mind (Copper Coin 2022/Bite-Sized Books, U.K.), Karmic Chanting (Copper Coin 2018), Ink and Line (Dhauli Books 2018) and five other books of poetry. He has read as an invited poet at literary festivals in USA, Macedonia, Ireland, Turkey, Nicaragua, Sri Lanka, Germany, Italy, Ukraine, Hungary, Madagascar, South Africa, and Slovakia. He was awarded Gayatri Gamarsh Memorial Award for literary excellence in 2016, Godyoo Podyo Probondho Award in 2023, and was shortlisted for Tagore Literary Prize in 2020. His writings have appeared in publications across Europe, North America, Asia, and Australia. His recent works have appeared in the Harper’s Bazaar, Virginia Quarterly Review, Stand Magazine, Words Without Borders, Singing in the Dark (Penguin Random House), Luvina magazine (University of Guadalajara, Mexico), La Otra (University of Mexico), Indian Literature (Sahitya Akademi), Stand magazine, Poetry Salzburg Review (University of Salzburg), and Mascara Literary Review among others. Mondal was one of the authors of the Silk Routes project of the International Writing Program at the University of Iowa from 2014 to 2016. Founder director of Chair Poetry Evenings – Kolkata’s International Poetry Festival, Mondal edits the Indian section of Lyrikline (Haus für Poesie, Berlin) and serves as managing editor of Verseville. He has been a guest editor for Words Without Borders, New York, and Poetry at Sangam, India. His works have been translated in over twenty languages.
ALmaty writING residency 2025
This year, AWR became a unique platform for creative exchange and cultural interaction among playwrights! We invited Kazakhstani authors of plays, performances, productions, and new theatrical forms—especially those working in the post-drama genre in Kazakh and Russian—to participate in AWR 2025.
AWR timeline 2025
Opening of the residency. Meet the AWR-25 participants. The theatrical landscape of Kazakhstan.
Speakers:
Venue: Small Stage, ARTiSHOCK Theatre
Address: 49 Kunaev Street
Global opportunities for Kazakhstani theatres and playwrights. Selection of Kazakhstani productions for international festivals. Participation of plays from Kazakhstan in international playwriting competitions.
Speakers:
Venue: American Space & Makerspace Almaty
Address: 280 Baizakov Street
An author’s method of working with a dramatic text. How plays are selected for production at a state theatre.
Speakers:
Venue: American Space & Makerspace Almaty
Address: 280 Baizakov Street
Scott Bradley. Creative talk with a playwright: working methods and trends in American playwriting.
Speaker:
Venue: American Space & Makerspace Almaty
Address: 280 Baizakov Street
Theatres VS Playwrights. Why is contemporary Kazakhstani theatre not interested in contemporary Kazakhstani playwriting—and how can this be changed?
A discussion with independent directors, theatre managers, and playwrights.
Speakers:
Venue: American Space & Makerspace Almaty
Address: 280 Baizakov Street
OUR TEAM:
Director, writer, and cultural researcher (PhD). He graduated from Al-Farabi Kazakh National University and the University of Warmia and Mazury (Poland). He’s published in Prostor, Knigolyub, Druzhba Narodov, Znamya, Novy Mir, Vozdukh, Den i Noch, Novaya Yunost, Prolog, Yunost, Iowa Magazine, and more. He won the Russian Prize for Short Prose (2010, 2014), the Altyn Kalam Award, the Assembly of the People of Kazakhstan State Award, and the Order of Kurmet. He participated in IWP’s US residency (2017) and edited the Polish diaspora magazine Ałmatyński Kurier Polonijny. He’s been Prose Editor at LiterraTura and led seminars at OLSHA and IWP. He’s Vice President of the Kazakh PEN Club.
Playwright and curator of the Drama.KZ festival (2019/2020). She edits the online journal Dactil’s Dramaturgy section and directs documentary films. She studied Literary Creativity at Yekaterinburg State Theatre Institute (N. Kolyada’s workshop) and completed screenwriting courses at T.K. Zhurgenov Academy and Olzhas Janaydarov’s dramaturgy lab. She long-listed at Nim-2018, participated in Two Days of Theatre and Dramamarathon, and joined the #цензурасыз project. Her play Zalipushka was included in the “Specially Noted” list at Lyubimovka (2024) and read at Teatr.doc’s Young Playwrights Festival (2025). Her Drama.lab piece The Lost Daughter is in the 2025 Freedom Festival (Narva, Estonia). She joined UNESCO’s Central Asian Screenwriting Laboratory and graduated from Internews Documentary Film School. She’s currently filming her debut feature Ystyq zher.
She is a novelist, publicist, and theater reviewer. She completed three courses at the Open Literary School of Almaty and participated in the International Writing Program at the University of Iowa, as well as a literary translators’ workshop at the Almaty Writing Residency (2022). She took part in the Forum of Young Writers from Russia, Kazakhstan, and Kyrgyzstan (2021). She is the editor-in-chief of The Alma Review, a blog about Kazakhstani literature. Her work has been published in journals such as Daktil, Polutona, Formaslov, Chetyrehlistnik, Angime, and in the almanacs Articulation and LiterraNova. She was shortlisted for the Qalamdas Literary Prize in 2022 and works as a journalist for Orda.kz, Forbes,Esquire, Manshuq, and other platforms.
Dina Makhmetova is a playwright, theatre historian, translator. Graduated from Zhurgenov National Academy of Arts with a major in Theatre Studies and from the translation department of Abylai Khan University of International Relations and World Languages. She is a graduate of the writers’ master class of the Mussagetes PF. Readings of her plays took place at ARTiShock theatre (Almaty, 2005 –2006), the festival of Ilkhom theatre organized by “Status Plus” studio (Tashkent, 2009). In the Open Literary School of Almaty she runs a playwriting and screenwriting seminar, creative writing for youth workshop. Her works were published in the online magazine Text Only, in the literary almanac “Literra Nova”.
Anton Platonov is a translator and art manager. He graduated from the translation department at St. Petersburg State University of Culture and Arts, a student of translator and writer Vera Reznik. Participant of the poetry seminars of the Open Literary School Almaty season 2015-2016. He translates contemporary prose from English, Spanish, and German, researches and translates beatnik poetry, with the special focus on Gregory Corso. He writes and translates texts about contemporary art and philosophy. His translations and essays have been published in the electronic publication Лиterraтура, Esquire, Sygma, etc. One of the founders and head of the projects “Illustrated Guide to the Meanings of Almaty” and editor-in-chief at ariadna.media — a media about contemporary art in Central Asia. Co-founder and co-head of the Laboratory for Literary Translation (supported by the U.S. Mission to Kazakhstan). He lives and works in Almaty.
Valeria Krutova is a prose writer, coordinator of the Almaty Open Literary School, and the first Almaty Writing Residency in Central Asia. She authored the short story collection “Наверность”, published in the Daktil literary magazine book series. Krutova’s short stories have been translated into Kazakh, English, and German.
Official media:
The mission of this blog is to make this literature more visible by writing reviews of new works, interviewing authors, celebrating good news, etc.
“Daktyl” is a magazine that seeks to expand the space of literature in Kazakhstan. We publish texts in Russian and Kazakh languages.
Telegram channel about the creative life of Almaty and Kazakhstan. Reviews of plays, books, exhibitions, as well as the author’s reflections on the art scene. News from the world of culture.
“Olya Leads to the Theatre” — a subjective media outlet about theater in Almaty, Kazakhstan, and Central Asia (and in all other countries where its author travels to watch theater), featuring reviews of plays, books, and and exhibitions, along with the author’s reflections on the cultural scene. It was created by Olga Malysheva — a playwright whose works are staged in both state and independent theaters across Kazakhstan, a critic with over ten years of passion for theater, and a producer actively shaping the artistic landscape of her city and country.
News and Analitics media
Supporting literature is a long-term investment, but some results have already become evident: new works of the participants are coming out, a media about Kazakhstani literature has appeared, the residency is becoming part of the literary process and part of the cultural landscape of our beloved city. This shows that there is a demand for the AWR and that we have found our niche. The AWR is a unique program for Kazakhstan.
Olga Markova Almaty Open Literary School and Almaty Writing Residency presents the guest in 2023 – Sonnet Mondal, poet, India.
He took part in the AWR Kazakhstani literary translators’ workshop from 09/29/23 to 10/04/23; publication of Sonnet Mondal’s poems in Kazakh and Russian will be the result of translator’s work.
Public meeting with Sonnet Mondal and poetry reading at the American Space and Maker Space Almaty, 03.10.2023.
20.08.2021 — Almaty Writing Residency 2021 — This year residency participants list.
АLMATY - THE CITY'S LITERARY HISTORY:
The former capital of the Republic of Kazakhstan, called in different periods Alma-Ata and Verny, has been the cultural center of the country. The city’s literary history is rich and spans many cultures. The great writers and poets of Kazakhstan worked here. Some made the city the setting for their books. The monumental building of the Union of Writers, Mukhtar Auezov house-museum, the monuments to Abai, Zhambyl, Gerold Belger, memorial plaques on the houses where the writers lived and worked — all this is part of the city’s literary history. Today, the literary history of Almaty continues through contemporary authors.
